Sacha Baron Cohen’s “Kazakh” TV reporter (even if he speaks Hebrew) travels back to the US, 14 years after his last feature-long escapade. In an age of franchises and endless blockbusters, Air is the sort of character-focused film that rarely gets made anymore, and is all the more enjoyable for it. Damon, Jason Bateman, Chris Tucker, and director Ben Affleck all deliver strong performances-only to be utterly eclipsed by Viola Davis in a magnetic and powerful, if somewhat underutilized, turn as matriarch Deloris Jordan-while Alex Convery’s script keeps the drama on the people and personalities involved, rather than the boardroom. We all know how that panned out, so thankfully Air is more than a two-hour advert for shoes. Enter Sonny Vaccaro (Matt Damon), a talent scout for the footwear maker who has spotted a rising star in North Carolina who could turn everything around-he just needs to convince everyone else that Jordan is worth betting the company on. Jordan was a rookie, and Nike was about to close down its basketball shoe division. Sure, nowadays Michael Jordan is a bona fide sports god, and Nike’s Air Jordan sneakers are still arguably the court shoe-but that wasn’t the case back in 1984. While those with some understanding of the source material will get more out of Shin Masked Rider, it’s an exciting outing for anyone looking for something a bit fresher from their hero movies. It’s more violent than you’d probably expect, often showing the grisly outcome of regular people getting punched by superpowered cyborgs and monsters, but never gratuitous. However, unlike the original, Anno’s approach taps into the body horror of the core concept, while also challenging his characters-and audience-to hang onto their intrinsic humanity in the face of a world trying to dehumanize them. and forcibly converted into a powerful cyborg, Hongo escapes before being reprogrammed as an agent of the group, instead using his newfound powers to take down its forces. Kidnapped by the terrorist organization S.H.O.C.K.E.R. Like that show, it follows motorcyclist Takeshi Hongo (Sosuke Ikematsu). Helmed by Hideaki Anno ( Evangelion, Shin Godzilla, Shin Ultraman-“shin” meaning “new” or “true” in Japanese), this revamps the 1971 TV series Kamen Rider. If you’re sick of cookie-cutter Hollywood superhero movies, then this ground-up reboot of one of Japan’s most beloved heroes deserves your attention.

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